At this time, the antique jade has a strong return to the true nature;The system is chic, the pattern is vivid, the camel method is delicate, polished and clean, and the workmanship is rigorous and meticulous. It is the true color of the jade art in the latter half of Qianlong; Yushanzi is the creation and masterpiece of this period, and has great development, like a three-dimensional Burmese jade picture. This issue also promoted the artistic work of the scar jade. The jade line was called “Fan Zuo”, which was combined with the jade in the Qing Dynasty and blended into one, enriching the treasure house of ancient Chinese art. During the Qianlong period, Yugong was good at drawing on paintings, sculptures, and craftsmanship, and absorbed the influences of traditional work such as Yinxian, Yangxian, Pingfang, Qihang, Hidden, Loukong, Pretty Color and Burning Ancient. It has been transformed and created and developed the crystallization of jade art with great characteristics of the times, and is famous for its fine and delicate, elegant and gorgeous style. In the late Qianlong period, the jadeite work was treated according to the traditional concept of jade bangle bracelets. Pay attention to green and bright green, show its beautiful texture, and use the experience of jade craft to make all kinds of utensils, furnishings, ladies, birds and beasts, beads, bracelets and Bracelets, wrenches, flats, ring faces and other jewelry, so jade is me
A rising star in the national jade industry.