Sebastian Vettel admits Ferraris early-season reliability problems have caught them by surprise - but does not believe they are a consequence of the team pushing to catch Mercedes. Cheap Orioles Replica Jerseys . The Scuderia have lost one car to unreliability in each of the seasons opening two rounds. Kimi Raikkonen dropped out at the Australian GP after a turbo failure caused an airbox fire, while Vettel did not even take the start in Bahrain on Sunday after his car started trailing smoke on the formation lap.Although Ferrari are yet to confirm the cause of Vettels failure, team boss Maurizio Arrivabene said initial investigations pointed to a broken valve or injector. After problems with their redesigned power unit during winter testing, speculation in Bahrain suggested Ferrari were still wary of pushing it to the limit.Reliability has long been one of the Scuderias strengths but, asked by Sky Sports News HQ if their recent frailties were a by-product of pushing hard, Vettel said: Not really.We sorted out our problems over winter and starting the season it was a surprise what happened to Kimi. Today was a surprise again so we need to understand what happened and learn. However, team-mate Raikkonen, who managed to split the Mercedes pair in Bahrain to finish second, accepted Ferraris push to overhaul the world champions was not without risk.For sure they will [improve reliability], but its sport where things can go wrong and things can happen, the former world champion said.Always pushing the limit sometimes things go wrong. Its not ideal, thats not what were looking for, but were pushing where we want to be, in the front.Raikkonen finished just six seconds behind race winner Nico Rosberg, although the German admitted he was managing his pace at the front. Ferrari were again beaten by both Silver Arrows in qualifying, although had been challenging in Q3.We are nearly there in qualifying, Arrivabene told Sky F1. Theres a long way to go, so we need to work hard and be concentrated on our performance on the race. Ted Kravitz brings you all the latest news following the Bahrain GP Speaking to written media later, the Ferrari chief admitted he was frustrated to lose Vettels car before the race had even started, although was full of praise for Raikkonens absolutely spectacular recovery after a terrible start.One, Im not happy at all because with this strategy and looking at the performance of Kimi I think we were able to do a very, very good race with Sebastian, the Italian said.Having said that, Kimi had a bit of problem at the start and I think that penalised him quite a lot because he overtook three guys ahead of him and maybe, and I underline maybe, he compromised victory of the race.The way that Kimi drove during the race was spectacular - absolutely specular. If you look at the overtake on the external part of the kerb with Ricciardo, he reminded me of the drivers in the old times when they were battling and they were brave. It was very, very good. Kimi Raikkonen had to retire his Ferrari on lap 23 of the Australian GP, after suffering a fire in his airbox Also See: Vettel leads driver qualy anger Martin Brundle column Orioles Ryan Meisinger Jersey . The 17-year-old had four goals and four assists in 38 games for Liberec in the Czech pro league this past season. Zacha had three goals and two assists in seven games at the world mens under-18 championship in April when the Czech Republic took the silver medal. Orioles Chris Davis Jersey .com) - Nate Buss 3-pointer with 5. http://www.cheaporiolesjerseysauthentic.com/?tag=orioles-mychal-givens-jersey . Josh Bailey had a goal and an assist as the New York Islanders earned a 2-1 win over Ottawa Wednesday, leaving the Senators five points out of a playoff spot with just five games to play and four teams ahead of them.TORONTO - Once Toller Cranston left the ice behind, he focused his restless creative ingenuity on art — an all-consuming enterprise that he wryly referred to as his terrifying obsession.The floridly innovative figure-skating great died at his home in Mexico on the weekend of an apparent heart attack at age 65.Even while marching to uncommon acclaim as a figure skater, he attended art school and conducted a career in art.Once he retired, Cranston funnelled all his boundless energy into painting. He painted with such prolific intensity that his output is now most often characterized by its staggering volume.Terrifying Obsession was the name Cranston suggested for an exhibition of his work, which was being prepped for a cross-Canadian museum tour prior to his death, according to longtime agent Christopher Talbot.And Cranston, always at odds with the figure-skating establishment, would have derived great validation from finally being accepted by arts old guard.I think his fondest wish would have been to have a show at a real, proper establishment art gallery, said Canadian fashion pillar Jeanne Beker, one of Cranstons closest friends, in a telephone interview from Paris on Wednesday.That was his dream: to have something at the Art Gallery of Ontario or somewhere, some retrospective, something. He felt he deserved to be there.He always felt that the world saw him as a skater first and an artist second. And it really drove him crazy.Talbot, who sometimes communicated with Cranston on a daily basis about his work, agreed.In his mind — and its maybe only in his mind — he never achieved the status he should have had as a figure skater. And he really wanted that as a visual artist, said Talbot, president and founder of Art Evolution Gallery, in a telephone interview from California.If Cranston never lived to see that recognition, it certainly wasnt for lack of effort.He retired from skating in 1997, more than a half-decade after his move to a sprawling compound in San Miguel de Allende, Mexico. During the later stages of his skating career — and especially afterwards — Cranston was consumed by art.Friends recall an almost exclusionary drive. As Talbot tells it, Cranston was a fish out of water any time he was dragged from his work.Terrifying obsession really encapsulated Tollers role as an artist, Talbot said.He was just tenacious. He drove himself relentlessly. ... He couldnt stop.Cranstons Mexican home — or his little Shangri-La, as Beker calls it — became an overstuffed testament to his passion, even after he sold off a major part of his collection while still living in Toronto.A characteristically idiosyncratic sanctuary, Cranstons walled-in property was blanketed by a lush, professionally maintained garden. Inside, it was overgrown with artwork — by Cranston and by others, especially local Mexican artists whose work he acquired voraciously.Every square inch of his house, marvelled Talbot. If you look at a wall, you cant tell what colour it is because theres that much art on it.Beker recalls marvelling as Cranston bought works in an almost hedonistic fashion, collecting local artisans painted bowls and dishes and glass art, which hed hang from the ceiling.If he saw something he liked hed want to buy not one but 10 or 20, she recalled.I often felt that I was in the middle of a Toller Cranston painting when I was sitting there in his garden or one of his rooms. Orioles Jerseys China. They would envelope you that way.In Cranstons estimation, his artistic style evolved little over a lifetime spent furiously creating — simply because it started off so clearly defined.As Cranston explains in an interview on the Art Evolution website, his colourful compositions grew from an interest in Eastern influences that he established at an unusually young age (specifically, he references Russia, Ukraine, Uzbekistan, Pakistan and Turkestan).The inclination, the subject matter, the concepts, the sense of colour, the people, the worlds, the imagery — miraculously — was in evidence when I was six years of age, Cranston said.Every painting (Ive done from) when I was six until now when Im 58, seems to come from that very same world.If nothing else, then, his work was distinctive. And his proponents argue that should count for something.No one was painting like that, said Michelle Kirkegaard, Canadian art adviser and owner of the Adele Campbell Gallery, a Whistler, B.C., space that has hosted exhibitions of Cranstons work. Anyone that has seen a painting, without seeing the signature, could say: Thats a Toller Cranston. And I think thats a sign of a very disciplined, mature and creative individual.The Cranston signature style had no shortage of devotees, people who spent thousands of dollars to acquire his work.Cranstons hunger for the validation of the art establishment, however, wouldnt be sated in his lifetime.In the echelons of the art world, the top level of which would be official recognition — he wasnt part of that world. He was loved by the people who collected his work, said celebrated Toronto artist Charles Pachter in a telephone interview Wednesday.Theres a certain type of people that fits the milieu of the official art museums, he added. Toller wasnt one of those people.He knew Cranston. The Canada Day they spent together and among friends in 1978 was immortalized in Pachters painting Six Figures in a Landscape.Pachter describes Cranstons work as kind of like Disney on acid — like the Wicked Queen from Snow White.He was outlandish, outrageous, creative, funny, droll, Pachter remembered. He was a character. He was a true original.More of Cranstons work is sure to emerge with the eventual excavation of his cluttered residence in Mexico.Even when he was alive, it wasnt easy to maintain a reliable record of his work.As soon as he put his signature on a painting, it was out of his life. It was like it didnt exist, explained Talbot.Hed paint some masterpiece, something fabulous, a $30,000 to $40,000 painting, and he wouldnt even know where the damn thing was. ... This is a six-foot-by-six-foot painting that you knocked yourself out on for two months and you dont even know where it is? The level of dysfunction was spectacular, but its just the kind of guy he was.Cranstons apparently unstoppable work ethic, his seclusion, and his habitual disorganization may have contributed to hyperbolic estimates of his artistic output.And that, his friends say, is in its own way fitting.I have seen inaccurate figures printed that he did over 70,000 works of art, said Pachter with a laugh.No artist could do that many. Maybe 7,000, but 70,000? Its ridiculous.It is an exaggeration, he added. 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